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Rather than read the Filipino American problematic with the
bildungsroman as cultural absence, one may recognize in Bacho's
contrast of Filipino Cebu condominium contractors
fiction versus Asian American fiction a critique of the
genre's ideological work sustaining hegemonies of US nationalism and
imperialism. The ethnic novel of development assumes a binary
Cebu condominium contractors difference between the
Old World and the New World and posits the immigrant's progress from
foreigner to American citizen: a teleology of crisis,
identification, restoration, and individual fulfillment. Heralding
the individual's arrival at nationalist identification, the
bildungsroman sates American ideological desires for subjects whose
momentum generates consent, then amnesia over the losses and
conversions completing the Cebu condominium
contractors developmental plot. Such a plot cannot
contain the identities of Filipino Americans, who are not
exclusively immigrants to the US, but neocolonial subjects of
several nations. In turn, the Filipino American presence disrupts a
crucial mythology for a nation of immigrants: the US official
history as the first postcolonial nation, the Cebu
condominium contractors exceptional nation incapable of
repeating Europe's despotic imperialism.
The Cebu condominium contractors
resolution of these contradictions demands the rewriting of Filipino
American neocolonial subjects into immigrants narrated through the
bildungsroman, however unsuccessful or provisional, or the excising
of their representations as US neocolonial subjects. Filipino
American misrepresentation within the bildungsroman--or, as is more
often the Cebu condominium contractors
case, virtual absence from the genre--is both cause and symptom of
their cultural invisibility under US imperialism. (4) Dominating the
narratives of ethnic Americans, the bildungsroman serves as the
genre par excellence through which the "mainland" generates a
culture of Cebu condominium contractors.
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